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At the end of Claude Berri’s Jean de Florette, a little girl follows two men to a spring. Her father, Jean, has exhausted his strength carrying water to the Provençal farm that was his lawful inheritance. He believed drought, difficult soil and his own miscalculations had defeated him. After his death, César and Ugolin buy the ruined property cheaply, remove the cement plug they had secretly placed in its spring and watch the water flow. Hidden nearby, Jean’s daughter Manon sees everything. One fact transforms the meaning of every preceding event. Adversity becomes design. Misfortune acquires an author.
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