When Michel Houellebecq published Submission a decade ago, while Muslim terrorists were butchering cartoonists, the book’s calm unimpassioned description of France falling under the sway of a Muslim Brotherhood party with the gradual acceptance of the protagonist, a dilettante academic intellectual, who ends the novel by ‘submitting’ and converting to Islam, and the rest of society, French literary circles saw it as both fantastic and unrealistic.
It’s a lot less fantastic now as Houellebecq faces a year in prison.
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