Critics attacked a film about rescuing trafficked children as “QAnon propaganda,” praised a movie that sexualized 11-year-olds as daring social commentary, and labeled a film about a saint, Mother Cabrini, helping immigrants “white supremacist.” These reactions reflected a concerted effort by a cultural and political establishment determined to marginalize Christian voices.
Yet despite low budgets, limited theatrical distribution, and coordinated hostility from the press, faith-based films have emerged as some of the most financially successful movies of the past decade.
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