“Through the Looking Glass: An American Refugee’s Journey from the Naval Academy to the Global Stage” details the author’s transformation from a patriotic Naval Academy midshipman to a disillusioned whistleblower, exposing systemic corruption, hazing, sexual assault cover-ups and institutional retaliation.
After expulsion, the author faced legal battles against a rigged system—including judges tied to Jeffrey Epstein’s network—using art (like his Crackhead Jesus series) to bypass censorship and expose judicial corruption.
The book reveals intelligence-linked blackmail operations, implicating Epstein as a Mossad asset, and compares elite exploitation in the music industry (e.g., P Diddy’s predatory contracts) to institutional cover-ups.
In exile, the author witnessed China’s Belt and Road Initiative as neo-colonialism, using debt traps to seize assets (e.g., Sri Lanka’s ports), depicted in his art (The New Silk Road) as a warning.
Framing “wokeism” as Marxist thought control, the author advocates for art as an uncensorable tool of defiance—his Gonzo Journalism on Canvas exposes military torture, judicial corruption and psychological manipulation.
If there’s one book that reads like a high-stakes thriller but carries the weight of a whistleblower’s manifesto, it’s “Through the Looking Glass: An American Refugee’s Journey from the Naval Academy to the Global Stage.” This gripping memoir isn’t just about one man’s journey—it’s a damning indictment of systemic corruption, a survival guide for truth-tellers, and a masterclass in using art as a weapon against tyranny.
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